We reviewed the current production of '2:22 A Ghost Story' earlier in its run. This review is an updated version of a previously published one.
Some shows generate hype when they arrive in a city or perform in the capital and, on occasion, the reality can be less exciting. However 2:22 A Ghost Story is the epitome of a hyped-up stage-show that couldn't be more justified in its title.
2:22 is written by award-winning writer Danny Robins and is directed by Matthew Dunster. Brilliantly funny and intriguing, the audience are in for an adrenaline-filled night where secrets emerge and ghosts may, or may not, appear. It's also a piece which stays with you - sitting and writing about the production, and reliving the action on stage, still sends shivers down my spine!
When you're on your third or fourth outing of a show - particularly one which relies on mystery and a very distinct plot twist - it's hard to imagine you'll be that fussed about watching it again. However this show has the magnetism that makes even those who know what's happening become fully absorbed in what's playing out in front of them.
The plot is straightforward. Jenny believes her new home is haunted, but her husband Sam isn’t having any of it. They argue with their dinner guests - old friend Lauren and her new partner Ben - when Jenny reveals she hears footsteps and crying in their daughters bedroom each morning at exactly 2:22am.
Throughout the evening, belief and scepticism clash. Sam is a man of science who has to have an explanation for everything, whilst the other three in the room have more faith in the supernatural. But something feels strange and frightening, and that something is getting closer. So they’re going to stay up until 2:22….and then they’ll know.
First thing's first - this always was, and remains, a stunning piece of theatre.
2:22 began its West End run in 2021 before productions opened as far afield as Australia and Singapore. For a long time it was the show to see in London, so much so that at the end of its initial engagement the demand meant it had to move to a new venue - a feat it repeated a further four times.
The previous UK tour back in 2024 received standing ovations every night so it's fair to say there's been a lot of expectation placed on the production.
The intrigue and mystery behind the story is akin to The Mousetrap's 'whodunnit' element. In fact it's incredibly difficult to talk about the action on stage without making reference to spoilers that don't need to be revealed!
2:22 is synonymous with misdirection and psychological subtlety. In some cases, throwaway reference to things or scenarios which seem meaningless are actually the complete opposite - incredibly meaningful, and it's that which makes this show stand out in a crowded marketplace.
Whilst 2:22 certainly fulfils its 'thriller' remit well (and has some great jump-scares) the real aesthetic of this production is it's creepy, haunting nature. It makes you question your understanding and drip feeds you the information you need to make judgements, whilst also being very funny at the same time.
One liners often take the place of an expected shock and as the piece progresses you can see audience members start to sink into their seat as the eerie music draws to a climax, only to be met by a joke rather than a scare. It's that variety that, for me, sets this show apart from many of its contemporaries.
James Bye brings a new twist to Sam and plays him in a way that I've not seen before - rather than drawn out, considered answers his take is a more self-assured and assertive one. Alongside Shvorne Marks as Jenny, who has switched from playing Lauren earlier in the run, their chemistry is exceptional. Marks in particular takes the character from unsure and unsettled to a woman on the edge - and the final few minutes are an absolute dream.
Natalie Casey takes on the role of Lauren and, in the biggest shock of the evening...does so without a northern accent! The character is always played as an American and, although Casey's portrayal is a frantic, excentric interpretation (which is brilliant to watch!) it did make me realise how well some of the lines would land if it had that Lancashire twang to it! In any case, her portrayal was another fresh take which made the show a joy.
Equally glorious to watch was Grant Kilburn who showed his acting prowess with a hilarious portrayal of Ben. Kilburn joined the show back in 2023 during the West End run and his longevity with the production speaks volumes.
2:22 is a story of mystery and intrigue and, whilst in hindsight there is only one possible ending, the creatives threw in a curve ball when the audience least expected it.
It's very rare that, in a review, I urge you to get tickets but I'll happily make an exception for this show. This is a wonderful piece of theatre that should be seen at least once by everyone.
And if you do go, theres a few top tips to bear in mind. Question everything, trust nobody and remember - you're being told what's happening constantly...you just can't see it yet!
2:22 A Ghost Story runs at Wolverhampton Grand until Saturday 23rd May 2026. For more information, or to get your tickets, visit grandtheatre.co.uk.
